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在这个世界上有一个不太繁华却宁静祥和的城市——乌托兰市。这里的人民爱好和平，彼此友爱。冰球似乎是乌托兰人民的最爱，街头巷尾经常能够看到人们扛着球杆的身影，甚至连圣母玛丽亚、爱神丘比特的雕像都入乡随俗扛起了球杆。这一天，一条令人振奋的消息传遍了乌托兰市：世界闻名的萨耶萨耶王国皇家冰球队即将来该市访问，并与乌托兰市冰球队进行一场友谊赛。当地人民欢欣鼓舞，倍感期待，对来自远方的客人给予极大的尊重和礼遇。而另一方，表情严肃傲慢的胡可道将军带领萨耶萨耶王国皇家冰球队抵达乌托兰。 盛大的欢迎仪式过后，精彩的比赛拉开序幕，但是比赛场上奇怪的现象相继发生……。爱情，神秘而又神圣，吸引着人们去追求和寻找。土生土长的小载缝陈枫林带着美化生活、美化社会的美好愿望到城里歌舞团来接班了。由于是乡下人，他在团里出了不少洋相。但陈枫林对服装设计的改革和追求却有一股新潮流精神。由于日常工作与生活上的接触，歌舞团的明星，舞蹈演员杨丽娟逐渐爱上了这个淳厚朴实的小裁缝。不料，二人纯洁的爱情竟在团里掀起了轩然大波。陈枫林的爷叔老裁缝王小弟认为这是土洋结合，大逆不道。而他自己却正是因为自卑、慑于世俗舆论，十几年来一直与真诚相爱的歌唱演员玛丽娅暗中交往。杨丽娟的姨妈，教练杨荣，虽然自己在品尝着失去爱情的苦果，却偏要丽娟依循她的道路去选择爱情伴侣。苦苦追求杨丽娟的乐队队员王乐乐因为得不到她的爱而沮丧失望，并因此妒恨小裁缝。丽娟的同伴们则认为他们爱得太滑稽，太不切实际。就连枫林的父母也认为自己的儿子是"癞蛤蟆想吃天鹅肉"……世俗的偏见和诽谤，几科把土裁缝与洋小姐压垮了。但是，他们毕竟是八十年代新潮流中的青年，事业上的相互促进，共同理想的执著追求使两颗年轻的心贴得更紧了。勇敢真诚的杨丽娟和质朴淳厚的陈枫林一起勇敢地向世俗与偏见挑战了。而爱情的力量又促使他们成为改革浪潮中的强者，土裁缝和小洋小姐的爱情终于得到了人们的理解和赞赏。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。