不负如来不负卿上一句

视频简介

Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。STAFF 原作：「チーズスイートホーム」／著作者：こなみかなた（講談社『モーニング』連載） アニメーション制作：マッドハウス 企画：古川公平／丸山正雄監督：増原光幸『夢使い』 シリーズ構成：金春智子『劇場版それいけ！アンパンマンシリーズ』 アニメーションキャラクター原案：浅香守生『カードキャプターさくらシリーズ』 アニメーションキャラクターデザイン：小林明美『ふしぎ星の☆ふたご姫』 音響監督：藤山房伸『ピアノの森』 美術監督：勝井和子『超時空要塞マクロス』 色彩設計：大野春恵『逆境無頼カイジ』 撮影チーフ：石塚恵子編集：木村佳史子『東京ゴッドファーザーズ』 CAST チー：こおろぎさとみ ヨウヘイ：小桜エツ子 お母さん：日高のり子 お父さん：木内秀信。正月初二，苏筱筱收拾好行李准备好回娘家，可婆婆谭彩虹却将行李箱一脚踢翻，不让苏筱筱回娘家，看着嚣张拨扈、撒泼打诨毫不讲道理的婆婆，和唯唯诺诺只听婆婆话的老公，苏筱筱彻底爆发，搬出等着堵在门口，不让回娘家，那就谁都别想回！。