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解放初期云南边境上的故事：两个侦察员和一个彝族小姑娘把两个偷运武器的特务连同他们的外国主子一网打尽。一句话就能概括的故事不太好讲，倔导演林农又从来都不想拍一般的电影。既然是反特惊险片，自然少不了敌我双方对峙周旋的惊险，鲜明的人物冲突和性格特点，以及周密曲折的情节设置。。入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc....。